Sarah Pagé is a Montreal-based harpist, composer, and sound artist known for pushing the boundaries of her instrument into experimental and ambient territories. A key member of indie-folk ensemble The Barr Brothers, she's carved a distinct solo path blending electroacoustic exploration with classical harp traditions. Her work often feels cinematic yet intimate, weaving plucked melodies through layers of analog effects and field recordings to create immersive soundscapes that nod to contemporary classical, avant-garde, and electronic music.
Recent releases like *Littoral States* and *Voda* showcase her fascination with water as both concept and sonic material, while projects like *Lithium Taper* reveal collaborations with modular synth artists. Pagé maintains an adventurous spirit across formats - scoring dance performances, improvising with noise musicians, and reimagining folk traditions through her distinctly modern, textural lens. Her harp becomes both anchor and alien artifact in these compositions, equally at home in art galleries, rock clubs, or experimental music festivals.
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