César Guerra-Peixe (born March 18, 1914, in Petrópolis, Brazil; died November 26, 1993, in Rio de Janeiro, Brazil) was a prominent Brazilian composer, conductor, and violinist, influential in the development of Brazilian classical music in the 20th century. Initially linked to Nacionalismo, a movement that sought inspiration in the folk traditions of Brazil, Guerra-Peixe was also one of the notable disciples of the Austrian composer Hans-Joachim Koellreutter, who introduced him to dodecaphonism – a form of serialism that he incorporated into his unique style.
Over his prolific career, Guerra-Peixe composed a vast range of music, including chamber works, symphonies, operas, and film scores, often weaving traditional Brazilian rhythms and melodies into his classical compositions. His exploration of Brazil's rich musical heritage is exemplified in his "Mourão", which reinterprets a folk tune through sophisticated compositional techniques. His celebrated works include numerous pieces for orchestra. The “Symphonic Suites Nos. 1 & 2” illustrate his robust affinity for orchestral textures and his adeptness in merging those with folk elements, while "Roda de amigos" (Circle of Friends) underscores his collaborative spirit. A vital figure in the Brazilian music scene, César Guerra-Peixe left a lasting legacy as a creator, educator, and preserver of Brazil's cultural and musical narrative. His style evolved throughout his career, but his dedication to bringing the sounds of Brazil to the concert hall remained unwavering.
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