Eduardo Egüez

Eduardo Egüez is a renowned Argentine lutenist and an esteemed interpreter of early music, known for his expressive performances and mastery of plucked string instruments from the Renaissance and Baroque periods. With a specialization in the lute, Egüez has dedicated his career to exploring and bringing to life the rich musical heritage of the 16th, 17th, and 18th centuries. His technique and deep understanding of historical performance practice have earned him a reputation as one of the leading lutenists of his generation.

Egüez's diverse discography reflects his versatility and passion for both solo repertoire and chamber music. Among his most recent releases, "Iguazú" and "Fuga y misterio" showcase his skill in interpreting Latin American rhythms through the lens of early music, while "Dowland: Lachrimæ" is a testament to his ability to convey the nuanced emotions in John Dowland's works. The album "Gracias a la vida" takes listeners on a journey through Latin American song, reimagined for the lute, and "Ay Fortuna Cruel" delves into the dramatic world of Spanish Baroque music. His recording of the "Misa De Indios: Misa Criolla" incorporates New World influences into traditional liturgical forms, a hallmark of Egüez's innovative approach to early music. With "Marin Marais: Folies" and "Odisea Negra," he continues to explore the depths of the French Baroque and the African influence on South American music, respectively. "Amarante" is another reflection of his broad musical interests and prowess as a soloist. Eduardo Egüez's contributions to the field of early music go beyond performance; through teaching and recording, he continues to play a pivotal role in the renaissance of Baroque and Renaissance music appreciation.

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