Richard Egarr is a consummate musician renowned for his versatility and profound expertise in the field of historical performance. A distinguished harpsichordist, conductor, and pianist, Egarr has dedicated much of his career to interpreting music from the Baroque, Classical, and early Romantic periods with both authenticity and innovative flair. He is particularly celebrated for his insightful interpretations of Johann Sebastian Bach, whose works he has often brought to life in comprehensive projects including the much-applauded recordings of the Partitas, French Suites, and the monumental St. Matthew Passion.
Egarr's musical reach extends well beyond the realm of solo keyboard music. He has garnered accolades for orchestrally led projects such as Mozart's Piano Concertos Nos. 21 & 24, and Handel's Brockes-Passion, where his dual role as conductor and keyboard soloist showcases his multifaceted talent. Not limited to instrumental works, Egarr also ventures into the operatic and choral domains, with performances such as the dramatic interpretations of Beethoven arias in "Immortal Beloved" and the stately nuances of Dussek’s "Messe solennelle." His contributions to the genre of early English music, as evidenced by "Purcell: The Cares of Lovers" and the whimsically titled "One Byrde in Hande," further highlight his commitment to exploring a wide historical repertoire with scholarly rigor and a spirited performance style.
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