**Jacqueline Kerrod** is a versatile harpist known for pushing the boundaries of her instrument in contemporary and experimental music circles. Based in New York City, she’s become a go-to collaborator for composers and ensembles exploring avant-garde sounds, often blending classical technique with bold, innovative textures. Whether performing ethereal solo harp works, contributing to multimedia projects, or diving into improvisatory collaborations (like her 2018 duo recording in Bologna), Kerrod brings both precision and adventurousness to her craft. Her recent projects, such as *Morpeth Contemporary 2024* and *17 Days in December*, highlight her knack for balancing intricate compositions with atmospheric spontaneity. When she’s not redefining harp music, you might catch her adding celestial shimmer to choral works like *Candlelight Carols* or teaming up with cutting-edge orchestras and electronic artists.
Join them and feed your new music addiction, and add the artists you love!
Get Started