Léa Hennino

Léa Hennino stands as a compelling figure within the realm of classical and chamber music, distinguishing herself as a violist dedicated to exploring and showcasing the rich tapestry of compositions penned by both heralded and lesser-known composers. Her repertoire, characterized by its diverse range and emotional depth, spans from the poignant complexities of Kaija Saariaho's "Je sens un deuxième cœur: II. Ouvre-moi, vite" to the evocative harmonies of Jeanne Leleu's works, underscored by her contributions to "Jeanne Leleu, une consécration éclatante, Vol. 1: Musique de chambre et mélodies." Hennino's performances not only breathe life into classical compositions but also emphasize the importance of female composers in the classical music spectrum, such as Germaine Tailleferre and Marguerite Monnot, whose "L'Hymne à l'amour" she deftly interprets in an arrangement by Gabrielle Panetrat.

Her discography reflects a keen engagement with the richness of chamber music's potential, from the sultry embrace of Graciane Finzi's "Impression Tango" in a unique viola and accordion arrangement, to the spirited playfulness of Walckiers' "Quintet in A Major, Op. 49: Scherzo (Allegro molto)." Through each performance, Hennino not only showcases her virtuosic skill and deep musical understanding but also narrates a story of musical evolution, recognising the foundational and contemporary compositions that shape the classical genre. Beyond the stage and recordings, her work acts as a beacon for the importance of diversity in classical music, providing a platform for voices that are often unheard and underscoring the universal language of music that transcends time, culture, and gender.

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