Stefan Plewniak is a Polish violinist and conductor celebrated for breathing new life into Baroque and Classical repertoire. As the founder of the period-instrument ensemble Il Giardino d'Amore, he’s become known for crisp, energetic interpretations of works like Vivaldi’s *Le quattro stagioni* and Gluck’s *Orfeo ed Euridice* (both featured in his recent releases). His projects often spotlight obscure operas or historical curiosities, like *The Last Castrato* album reviving arias written for 19th-century castrato Giovanni Battista Velluti.
Plewniak’s work thrives on collaboration – whether guiding orchestras through Haydn’s sunrise-to-sunset symphonies (*Pour Marie-Antoinette*) or joining forces with countertenors for playful throwbacks to castrati rivalries (*Les 3 Contre-ténors*). His recordings reveal a knack for balancing historical authenticity with theatrical flair, making 300-year-old music feel freshly discovered. While he often mines the 18th century, releases like *L'opéra de Napoléon* show his curiosity for later eras too, unearthing works tied to specific historical moments.
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