Molde appears to be an elusive figure in the music landscape, with little widely known information about their origins or personal history. Despite this enigmatic presence, Molde has steadily built a discography that suggests a penchant for exploring a variety of styles and perhaps a thematic focus on individuals and urban landscapes, as inferred from the titles of their recent releases.

Molde's work, including "The Messenger" and "City of Dreams II," conjures images of expansive narratives, potentially hinting at an atmospheric or conceptual approach to music composition. Releases like "Brom," "Kazuyoshi Funaki," and "Masahiko Harada" suggest Molde may draw influence from or seek to honor various figures, which could range from personal muses to celebrated names in certain fields, perhaps sports or cultural icons, given the latter two are names of notable ski jumpers. The addition of "Noriaki Kasai" to their oeuvre, another ski jumper, reinforces the possibility of thematic connections through their works. On a more intimate note, pieces like "Apenas Nós Dois," which translates to "Only the Two of Us" from Portuguese, points to a more personal and perhaps romantic side of Molde's artistic spectrum. Combining the seemingly personal with the grandeur of cityscapes and tributes to high achievers, Molde's music invites listeners into a world of narrative depth and emotional resonance.