Giacinto Scelsi (1905–1988) was an avant-garde Italian composer who became known for his unique approach to sound and composition. At the core of his work was the exploration of the individual tone, and the microtonal variations within it. A key figure in the post-World War II European avant-garde music scene, Scelsi's work was initially met with controversy due to its unconventional nature, but he has since been recognized as a pioneering force in 20th-century music.
Throughout his career, Scelsi remained an enigmatic figure, seldom performing publicly or allowing interviews, which added to the mystique surrounding his work. He composed extensively for various instruments, including piano, strings, and wind instruments, focusing intently on the spiritual and transcendental aspects of sound. His compositions often feature drones, repetitive patterns, and microtonal oscillations that push the boundaries of traditional Western tonality. Notable works include "Quattro pezzi su una nota sola" ("Four Pieces on a Single Note") for orchestra and the solo piano suite "Quattro Illustrazioni". After his death, the release of Scelsi's music, including "Tre Pezzi for Solo Trombone" and "Music for Cello Solo," continues to captivate audiences, offering a deep and meditative listening experience that is both introspective and radical. With a discography that has been progressively revealed to the public, the Giacinto Scelsi Collection serves not just as an archive of his works but also as a testament to his profound impact on contemporary classical music.
Join them and feed your new music addiction, and add the artists you love!
Get Started