Éliane Radigue is a pioneering figure within the field of electronic and minimalist music, renowned for her meticulous and meditative compositions that explore the nuances of sound. Born in Paris in 1932, Radigue initially began her foray into music as a formal student of musique concrète under the guidance of Pierre Schaeffer and Pierre Henry, two prominent figures of the genre. However, it was her discovery of the ARP 2500 synthesizer in the 1970s that became the turning point in her career, leading her to develop a unique approach to composition characterized by the slow evolution of sounds over extended durations, encouraging deep listening and a profound sense of immersion.

Radigue's oeuvre, which primarily revolves around electronic drone music, invites listeners to a contemplative soundscape marked by its serene intensity and transcendent qualities. Her commitment to the Tibetan form of Buddhism deeply influenced her work, as evidenced in collections like "Songs of Milarepa," which sets to sound the spiritual poetry of the famed Tibetan sage. "Trilogie de la Mort," one of her significant works from the 1990s, is a powerful meditation on life and death. In the 21st century, Radigue shifted her focus to acoustic instruments, introducing the ambitious "Occam Ocean" series, which continues to expand with contributions from various collaborating musicians. This series represents Radigue's evolving philosophy of sound, emanating tranquility, and the exploration of microtonal fluctuations within her precise and esteemed body of work.