Eola is the moniker of Edwin Mathis White, a musician whose unique musical project encapsulates the essence of lo-fi and experimental acapella. Often blending spiritual undertones with a DIY aesthetic, Eola creates an immersive sound that harkens back to age-old traditions while simultaneously injecting a modern, independent sensibility.

Emerging from a personal exploration of voice and tape-based music, Eola's most recent releases, such as "Dang," "Ye," "Deo Gracias," and "The Lord's Jam," showcase his prowess in layering and looping vocals to construct an ethereal, almost otherworldly choral effect. His work pays homage to both sacred and secular musical lineages, imbuing his songs with a devotional quality that reflects on the human condition, spirituality, and the search for interconnectedness through sound. White's approach to music results in a discography that feels both nostalgic and avant-garde, tethering a minimalist approach to a complex emotional resonance.