Elizabeth Kenny is an esteemed lutenist and one of the foremost figures in the world of early music performance. She has distinguished herself not only as a solo artist but also as a collaborator with some of the most prominent ensembles and opera companies that specialize in music from the Renaissance to the Baroque periods. With an exceptional mastery of instruments such as the theorbo and lute, Kenny enchants audiences with her nuanced interpretations and technical prowess.
Over the years, Kenny has contributed to an extensive discography that showcases her range and depth as a musician. Her project "The Flat Consort for My Cousin Kemble," which includes Suite No. 4 in B-Flat Major: IV. Saraband, is a testament to her dedication to bringing early music to contemporary listeners. Albums such as "Ars longa: Old and new music for theorbo (Deluxe Version)" highlight her willingness to bridge the gap between ancient works and modern sensibilities, juxtaposing timeless pieces with new compositions. Through her performances, recordings like "Dowland: Lachrimae or Seven Tears" and live concerts such as "Come all ye songsters (Wigmore Hall Live)," Elizabeth Kenny continues to affirm her status as a visionary in the world of classical music, making her an indispensable treasure for connoisseurs and enthusiasts of the genre.
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