Ought is a post-punk band that formed in 2012, hailing from Montreal, Quebec, Canada. The foursome met while studying at university, bringing together diverse backgrounds and a shared affinity for experimental rock and impassioned DIY ethos. Comprised of Tim Darcy on vocals and guitar, Ben Stidworthy on bass, Matt May on keyboards, and Tim Keen on drums and violin, Ought quickly gained attention in the indie music scene for their dynamic soundscapes and intellectual lyrical content that often tackled themes of anxiety and modern society's pressures. Their 2014 debut album, "More Than Any Other Day," set the stage with its critical acclaim and marked them as a band to watch, with its title track showcasing their talent for balancing an intense post-punk drive with nuanced narrative contemplations.

Ought's follow-up releases only solidified their status as a band with both a distinctive sound and a message. In 2015, they continued their momentum with "Sun Coming Down," featuring propulsive tracks like "Men for Miles" and "Beautiful Blue Sky." The latter, in particular, became notable for its hypnotic repetition and deceptively simple lyrics that unfolded into a poignant examination of human connection amidst monotony. With their third studio album "Room Inside the World" in 2018, Ought pushed the boundaries of their own style, incorporating broader instrumentation and more polished production. Songs like "Four Desires" evidence the band's evolution, showcasing a blend of the cerebral and the visceral, a testament to their growth while still holding firm to their art-punk roots. Despite their relatively short discography, Ought has carved out a niche for themselves in the indie landscape, infusing their cerebral take on post-punk with a raw and earnest energy that continues to resonate with fans and critics alike.