Operating within the elusive intersections of experimental music, sound art, and post-industrial ambiance, Kallabris is the project of Michael Anacker, a German artist whose work gracefully defies easy categorization. Anacker's output as Kallabris spans several decades, starting in the mid-1980s, and is noted for its conceptual depth, often incorporating literary and philosophical references into its unique sonic tapestries.

Most recently, Kallabris has released a series of compelling works that continue to explore the project's fascination with the convergence of noise, texture, and subtle melody. "Red Circle" delves into minimalist soundscapes, exhibiting a hypnotic quality through its nuanced explorations of drone and repetition. With "Schön Geht Anders," Kallabris offers a compelling contrast that teases with more structured compositions, while still maintaining an abstract edge. "Shanghai Dortmund" showcases an infusion of field recordings and ambient layers, suggestive of a sonic travelogue that bridges disparate geographical and cultural realms. The release "Considération Sur/ Sous Le Café" presents an intricate interplay of ambient sound constructions, evoking contemplative spaces that invite the listener into reflective auditory experiences. Kallabris's most recent efforts are a testament to the project's enduring commitment to pushing the boundaries of what experimental music can encapsulate and convey.