Chac Mool is a vanguard in the realm of Mexican progressive rock, having made a substantial mark on the genre since their formation in the early 1980s. The band, named after the pre-Columbian Mesoamerican statuary of a reclining figure, was conceptualized and brought to life by Jorge Reyes, Armando Suárez, Mauricio Bieletto, and Carlos Alvarado. Their music skillfully blends elements of rock with folk and electronic music, often infused with the mystical and ancient airs of Mesoamerican culture.

Throughout the decades, Chac Mool has maintained a dynamic presence in the progressive rock scene, with their albums frequently punctuated by conceptual themes and a profound narrative style. The recent releases such as "El Mensajero de los Dioses" (The Messenger of the Gods) and "Sueños De Metal" (Metal Dreams) continue to showcase the band's penchant for storytelling through music, while records like "2015" and "2020" aptly demonstrate Chac Mool's adaptability and relevance in the modern era. Even with their compilation of live performances in "Cintas En Directo" (Live Tapes) and the reflective pieces in "Nadie En Especial" (No One Special), Chac Mool persists in captivating audiences with their unparalleled synthesis of historical richness and contemporary artistry.