Jan Michiels is a distinguished classical pianist whose consummate skill and profound interpretations have earned him a place among the notable musicians of his generation. A native of Belgium, Michiels has carved out a niche for himself with an affinity for a wide-ranging and eclectic repertoire that spans from the Baroque era through to contemporary compositions. His profound understanding of musical nuances is evident in his performances, which are characterized by an intellectual depth and technical precision.
His versatility as a performer is showcased through his most recent recordings, which include an audacious juxtaposition of Chopin's Preludes, Op. 28 with the avant-garde inklings of György Kurtág's Játékok and the meticulousness of Debussy's Préludes. Michiels has displayed his capacity to bridge stylistic divides, bringing to life the emotive sonorities of Rachmaninov, Brahms, and Busoni in "La Folia," as well as navigating the introspective complexities of Bach-Busoni arrangements. His collaboration on "French Sonatas for Cello & Piano" and the exploration of thematic depth in "Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze, Hob.XX:2" further highlight his adaptable musicianship. Additionally, his work delves into the sound worlds of 20th-century composers such as Ustvolskaya, Schnittke, and Luigi Nono, encompassing the hauntingly powerful "Como una ola de fuerza y Luz," and he provides discerning interpretations of "Schnittke: Sonatas for Cello & Piano." Michiels continues to captivate audiences with his expansive artistry and commitment to both the historical canon and the pioneering edges of classical music.
Join them and feed your new music addiction, and add the artists you love!
Get Started