Mahan Esfahani is an Iranian-American harpsichordist renowned for breathing fresh life into Baroque music while pushing the boundaries of his instrument. Born in Tehran in 1984, he moved to the U.S. as a teen, later studying at Stanford University and becoming a passionate advocate for the harpsichord's relevance in modern classical circles. Esfahani’s recent work, as seen in releases like *Bach: The French Suites* and *Corellimania*, showcases his crisp, inventive interpretations of Baroque masters, blending scholarly rigor with playful energy. He’s also a trailblazer, commissioning new works to expand the harpsichord's repertoire beyond its historical roots.
A Grammy-nominated artist and the first harpsichordist to win a BBC Music Magazine Award, Esfahani balances concert hall performances with quirky projects (like his viral social media snippets of Bach’s *Inventions*). His recordings, including recent pre-release singles from Bach’s *Leipziger Choräle* and Handel’s sonatas, reveal his knack for making centuries-old music feel immediate and alive. Whether dissecting Bach’s intricate counterpoint or reviving lesser-known gems, Esfahani’s mission is clear: proving the harpsichord isn’t just a relic—it’s a vibrant, storytelling machine.
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