Robert Dick is a profoundly innovative flutist and composer whose avant-garde works have consistently pushed the boundaries of his instrument. Born in New York City in 1950, he is recognized for his revolutionary techniques, particularly his use of multiphonics and glissandi, as well as his implementation of unique fingerings and alternative forms of embouchure. A graduate of Yale University with a Bachelor of Arts in Music, Dick continued his studies at the Yale School of Music and eventually received a Master of Music degree. His influence extends through his extensive performance career and through his role as an educator, having published "The Other Flute: A Performance Manual of Contemporary Techniques," a seminal text for contemporary flautists.
Over the years, Robert Dick has released a substantial and diverse discography that encapsulates his eclectic style, which often blurs the lines between genres such as jazz, new age, and experimental music. Among his notable recent works are "Powers Of Two" and "Structures of Unreason," which showcase his adeptness in duo settings, exploring complex interplays with other instruments. "Laugh and Lie Down" and "500 Forks" exhibit his solo abilities, wherein he transforms the flute into an orchestra of sounds through his extended techniques. In "Solar Wind," Dick ventures into atmospheric compositions, while "The Damn Think" and "Are There?" present an intricate dance between composition and improvisation. With "@," "William Hellermann: Three Weeks in Cincinnati in December," and "Our Cells Know," Dick continues to convey his mastery of texture and timbral explorations, contributing to his reputation as a maverick of modern flute music.
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