Mark Fitz-Gerald

Mark Fitz-Gerald is a conductor and musicologist with a knack for breathing life into historical scores and underappreciated gems. A maestro of resurrecting film music and 20th-century works, he’s best known for his meticulous reconstructions of silent film soundtracks like *The Thief of Bagdad* and his vibrant interpretations of Shostakovich’s theatrical suites (*The Bedbug*, *The Nose*) and Weill’s razor-sharp cabaret stylings (*Die sieben Todsünden*). His recent releases showcase his passion for reviving bold, politically charged music, whether it’s unearthing Dmitri Shostakovich’s *The Gadfly* or polishing Kurt Weill’s sardonic *Dreigroschenoper* suites. Fitz-Gerald’s work often bridges classical rigor with cinematic drama, bringing fresh energy to scores that once pulsed through Soviet satire, Weimar-era stages, and swashbuckling silent epics. If there’s a forgotten score needing revival, chances are he’s got a baton and a mission.

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