August Enna
**August Enna** (1859–1939) was a Danish composer whose lush, Romantic-era style blended dramatic orchestral storytelling with a touch of Nordic charm. Though largely self-taught, he gained recognition for his operas, like *Kleopatra* and *The Little Match Girl* (based on Hans Christian Andersen’s bittersweet tale), which showcase his knack for vivid melodies and theatrical flair. Enna’s music often nods to Wagnerian grandeur but stays rooted in accessible, folk-inspired themes—think sweeping violins, bold brass, and emotional crescendos. His *Violin Concerto* and *Symphony No. 2* (both featured in recent recordings) highlight his talent for balancing fiery virtuosity with tender, lyrical moments.
Despite his popularity in late 19th/early 20th-century Denmark, Enna’s work drifted into obscurity for decades. Thankfully, modern revivals—like recordings of his *Symphonic Fantasy* or Andersen-inspired overtures—are reintroducing listeners to his imaginative soundscapes. Whether he’s evoking ancient Egypt in *Cleopatra* or weaving frosty magic in *The Little Match Girl*, Enna’s music feels like a cozy yet adventurous trip through a Scandinavian storybook.
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