Philip Samartzis is a distinguished Australian sound artist and researcher known for his work in the field of electro-acoustic music and sound art. Born in Melbourne, Australia, Samartzis has heavily influenced the contemporary sound art landscape through his exploration of the social and environmental aspects of listening and recording. Drawing from a diverse array of acoustic phenomena, he crafts intricate soundscapes that often meld field recordings with digital processing to create immersive auditory experiences. Samartzis is not only a creator but also an educator; he is a Lecturer in Sound within the School of Art at the Royal Melbourne Institute of Technology (RMIT), where he imparts knowledge on sound in the context of contemporary art.

Among Philip Samartzis's expansive body of work, his recent releases such as "Atmospheres and Disturbances" and "Array" showcase his meticulous attention to textural detail and spatial dynamics. "Polar Force" is an investigation into the sonic environment of Antarctica, where he blends organic field recordings with digital manipulation to reflect on extreme climate conditions and the human presence within such spaces. With "Captured Space," Samartzis delves into the acoustic characteristics of architectural forms, while "Mort Aux Vaches," "One Plus One," and "H []" further underscore his innovative approach to composing with the found sounds and frequencies that resonate within both natural and constructed environments. Samartzis’s work is appreciated globally for its theoretical sophistication and experiential depth, cementing his status as a crucial figure in contemporary sound art.