Lawrence Casserley is a British composer, improviser, and sound artist who’s spent decades bending the boundaries of electronic music and live processing. A true sound explorer, he studied at the Royal College of Music and later worked with avant-garde legend Karlheinz Stockhausen, which kickstarted his fascination with experimental audio landscapes. Casserley became known for his knack for real-time signal processing, often using his custom-built “Signal Processing Instrument” (SPI) to warp acoustic sounds into otherworldly textures during improvisational performances. He’s also been a key figure in academia, teaching electronic music at institutions like the University of Huddersfield while collaborating with jazz and experimental musicians like Evan Parker.
Recent releases like *Crystalline Strata*, *Labyrinths*, and *The Edge of Chaos* showcase Casserley’s love for sonic alchemy—think glitchy electronic murmurs, shimmering ambient layers, and chaotic-but-controlled improvisations. Whether he’s manipulating saxophone feedback or conjuring digital ecosystems, his work feels like eavesdropping on a conversation between technology and raw creativity. Still active in his 80s, Casserley remains a quietly influential figure in electroacoustic music, proving that curiosity about sound never retires.
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