What The Phonk emerges as an enigmatic force within the eclectic realms of electronic and phonk music. The artist's creative versatility shines through a discography characterized by its inventive adaptations and variations of single tracks, as seen in the diverse treatments of "WORLD CUP," which was presented in sped up, slowed + reverb, and 8D audio formats. Their ability to weave together unique sounds extends into tracks like "HOME ALONE," "PHONK A G6," and "STEREO PHONK," showcasing a knack for blending familiar phonk aesthetics with fresh, unexpected elements.

Beyond the realm of solo creations, What The Phonk has demonstrated a flair for collaboration and remix culture, particularly highlighted in their "UNHOLY" track series, including a distinct RAVE VIP version and a KEAN DYSSO remix, the latter being reworked twice to reveal the depth of collaboration and reinterpretation. The single "I'M GOOD (BLUE)" adds another layer to their artistic identity, hinting at a range of influences and an ability to cross genres seamlessly. Through these releases, What The Phonk cements their place within the music scene not just as a producer, but as a modern audio innovator, redefining the boundaries of their genre with every release.