**Erwin Schulhoff** (1894–1942) was a Czech composer and pianist whose wildly eclectic music mashed up jazz, Dadaism, neoclassicism, and avant-garde experimentation like a rebellious DJ of the early 20th century. Born in Prague, he studied with legends like Debussy and Dvořák, but quickly ditched tradition to embrace the chaotic energy of his era—think foxtrots colliding with surrealist art. His works, from the fiery *Flammen* opera to his genre-blurring piano concertos, oozed wit, irony, and a hunger to shock stuffy concert halls. Even his titles (looking at you, *Die Abflussrohre spuckten...*) screamed Dada mischief.
Tragically, Schulhoff’s career was crushed by the Nazis, who labeled his “degenerate” art (and Jewish heritage) a threat. He died in a Bavarian prison camp in 1942, forgotten until late-century revivals rediscovered his genius. Today, his music—raw, restless, and way ahead of its time—feels like a secret handshake between Weimar cabarets and modern playlists. Dive into his piano works or symphonies, and you’ll hear a composer who refused to color inside the lines.
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