Mehdi Farukh is an artist whose music intricately weaves the traditional sounds of Central Asia with contemporary musical influences. While it's challenging to pigeonhole Farukh's style into a single category, the core of his work often finds roots in the folk and ethnic melodies of his native cultural landscape. His discography features an array of instruments and arrangements that represent the tapestry of sounds from countries such as Afghanistan and the broader Central Asian region.

In his recent releases, including "Qaychee," "Dukhtar Sheghnan," and "Majlisi," Mehdi Farukh showcases his adeptness at blending the rhythmic strums of the dambora—a long-necked lute-like instrument—with the profound storytelling of the region's oral traditions. "Ba Naz" and "Dambora" stand as testaments to his ability to modernize while paying homage to the past. With "Gul Shali" and "Qarsak," he spotlights the vibrant dance culture, and with "Sabzina Sanam," "Negar," and "Khaadi," he explores themes of love, longing, and the beauty of the land, elements that are ever-present in his music. Farukh's work not only celebrates the cultural heritage of his roots but also captures the attention of a globally expanding audience eager to experience the richness and diversity of Central Asian music.