Anna McDonald is a classical musician revered for her mastery and impeccable interpretations of Baroque music. Although not a household name in the wider sphere of contemporary music, McDonald has carved out a prestigious niche as a Baroque violinist and violist. With a career dedicated to the historical performance practice, she is lauded for bringing a fresh and nuanced perspective to some of the most complex compositions of the 17th and 18th centuries. Her musical prowess is evident in her precise technique and the emotional depth she brings to each performance.

Her recent discography includes a full exploration of Johann Sebastian Bach's Brandenburg Concertos, released in two volumes, which have been celebrated for their clarity and engaging performances. McDonald's interpretation of these Baroque staples has been described as both informed and innovative, breathing new life into the intricate structures of Bach's compositions. Complimenting this is her venture into Heinrich Ignaz Franz Biber's "Sacro-Profanum," a collection that showcases the composer's versatility and McDonald's ability to navigate the demanding and ornate landscape of Biber's work. Additionally, her collaborations with contemporary artists such as Ryan Marshall and Marianna Beasley indicate McDonald's commendable diversity and willingness to bridge the gap between historical music and modern performers, further establishing her as an artist of versatility and depth within the classical music community.