Terminal Choice is a German electronic-industrial band with a considerable following in the dark electro scene. Founded in 1993 by singer Chris Pohl, who is also known for his work with Blutengel, the band began as a solo project but later expanded to include additional members. Terminal Choice is characterized by its fusion of electronic beats, harsh vocals, and themes that often delve into the darker aspects of humanity and society, evoking a dystopian aesthetic that has resonated with fans of the genre.

Their discography is punctuated by a series of relentless releases that have both refined and redefined their sound over the years. Notable albums include "Menschenbrecher" and "New Born Enemies," each showcasing the band's penchant for aggressive synth lines and confrontational lyrics. The tracks "Keine Macht" and "Übermacht" highlight Terminal Choice's political undertones, while "Don't Go" displays a more melodic approach without sacrificing the band's trademark intensity. "Reloadead" and the bonus content releases such as "Menschenbrecher Bonus" and "New Born Enemies (Bonus Works)" provide fans with additional material, underscoring Terminal Choice's prolific nature and willingness to explore the boundaries of their sound. "Collective Suicide," another of their hard-hitting tracks, encapsulates the band's thematic focus on the struggles of the individual against a collective societal backdrop. Despite less frequent activity in recent years, Terminal Choice remains a respected name in the industrial music scene, and their body of work continues to influence new generations of musicians within the genre.