Otto Lindholm is a French composer and multi-instrumentalist crafting immersive soundscapes that blur the lines between contemporary classical, ambient, and experimental music. Known for his brooding, textural work, he layers rich acoustic instruments like cello and double bass with modular synths and field recordings, creating hypnotic, cinematic pieces that feel both ancient and futuristic. His releases, including *FortyTwo* (2021) and *Carnac* (2022), often explore themes of ritual and transformation, delivered through a fog of dissonance and melody. Operating within the orbit of France’s experimental scene, Lindholm has become a cult favorite for listeners drawn to his shadowy, genre-defying approach, releasing music on labels like INA GRM while maintaining an air of enigmatic restraint.
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