Grischa Lichtenberger is a German electronic musician and visual artist, known for his experimental approach to sound and his intricate audiovisual installations. Born in Bielefeld in 1983 and raised in a rural area near the Teutoburg Forest in Germany, Lichtenberger's work is deeply influenced by his contemplative engagement with isolation and the raw textures of his environment.
Through his compositions, Lichtenberger explores the tension between the theoretical underpinnings of communication and the visceral nature of sound. His discography includes a range of thought-provoking releases such as "Die Wiederholung der Geschichte der amerikanischen Heimatlosigkeit" and "Works for Last Work," which showcase his fascination with the cyclicality and politics of history and dislocation. Other notable works include "Kamilhan; il y a péril en la demeure" and "Re: Phgrp," which further exhibit his interest in the materiality of sound and its decay. His pieces often reflect a dystopian vision, as seen in the triptych "Spielraum | Allgegenwart | Strahlung," or delve into the complexities of structure and entropy, as evidenced in "LA DEMEURE; il y a péril en la demeure." With "And IV (Inertia)" and "ununbium / ~treibgut," Lichtenberger continues to push the boundaries of electronic music, offering his listeners an immersive experience that defies easy categorization.
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