Sélène Saint-Aimé

**Sélène Saint-Aimé** is a French-Caribbean bassist, composer, and poet whose music weaves jazz with Afro-Caribbean rhythms and storytelling. Born in Martinique and based in Paris, she draws deeply from her roots, blending hypnotic double bass grooves with traditional Guadeloupean and Martinican *gwoka* and *bèlè* drum patterns. Her work feels both contemporary and ancestral, often layered with spoken-word poetry that explores themes of identity, diaspora, and resilience. Releases like *Potomitan* (2020) and *Mare Undarum* showcase her knack for creating atmospheric, genre-defying soundscapes that nod to jazz greats while carving out a space entirely her own.

Saint-Aimé’s projects, such as *Arawak Uhuru* and *Paene Umbra : chez Rosa B.*, reflect her fascination with history and myth, often reimagining Caribbean narratives through a lens of freedom and artistic experimentation. A rising star in Europe’s avant-jazz scene, she’s celebrated for her bold, introspective compositions and collaborations that blur the lines between improvisation, poetry, and ritual. Her music feels like a conversation between past and future—raw, thoughtful, and irresistibly groove-driven.