Batida is an artistic persona born from the creative endeavors of Pedro Coquenão, a visionary musician and producer with deep roots in the rich musical landscape of Angola. Combining traditional Angolan rhythms, such as kuduro, semba, and kizomba, with contemporary electronic beats, Batida represents a fusion of past and present, a sonic collage that blurs the boundaries between genres. Coquenão’s work as Batida frequently involves a multimedia approach, integrating audio with visual art and political commentary, which has garnered him international attention as both an artist and a social commentator.

Since emerging on the music scene, Batida has been enchanting audiences with an innovative blend of sounds that pay homage to Angolan culture while forging new paths. Notable releases such as "Dois" showcase Batida's dedication to blending organic African instruments with digital production techniques, resulting in music that is both danceable and intellectually stimulating. Collaborations like "Banza Rémy (Bonga meets Batida)" highlight Coquenão's reverence for the artists who paved the way for today’s contemporary sounds, as he works with iconic figures to reinvigorate their music for a new generation. The project's recent tracks, including “Tem Dor (Africa de Itamaracá)” and “Neon Colonialismo,” continue to explore themes of identity and colonialism, proving that Batida is not just an act, but a movement towards increased cultural awareness and musical innovation.