**Marcella Carboni** is an Italian harpist and composer known for reimagining the harp’s role in contemporary music. Blending classical technique with experimental textures, she’s carved out a niche that dances between avant-garde jazz, electronic soundscapes, and minimalist composition. Her releases—like *This Is Not a Harp* and *Pop Harp*—playfully challenge expectations, weaving plucked melodies with unexpected effects and collaborations (check out the genre-bending *Nat Trio* or the ethereal *Still Chime* for proof).
Based in Sardinia, Carboni’s work often feels rooted in Mediterranean atmosphere, but her curiosity stretches globally. She’s teamed up with musicians across disciplines, from free improvisation to theater, and her projects like *La Mamma, l’Angelo e la Ciambella* showcase her knack for storytelling through sound. Whether she’s crafting delicate solo harp pieces (*Miradas*) or diving into dissonant experiments (*Kandinsky*), Carboni keeps the harp fresh, fearless, and full of surprises.
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