Blood Axis is an esoteric musical project helmed by the enigmatic figure, Michael Moynihan, that emerged from the post-industrial underground during the early 1990s. Defying strict genre confinement, Blood Axis' sound is a fusion of neofolk, martial industrial, neoclassical, and experimental music, often incorporating themes from mythology, historical events, and religious ritual. Moynihan's scholarly interest in various mythologies, occultism, and European traditions infuses the project's work with a rich and often controversial tapestry of cultural and philosophical elements.

The project's evolving discography reveals a dedication to both musical craftsmanship and thematic depth, beginning with their powerful debut, "The Gospel of Inhumanity" (1996), which fused stirring orchestral samples with powerful spoken word performances. Over the years, Blood Axis has remained selective with their output, choosing to focus on quality and thematic integrity over quantity. Releases like "Blót: Sacrifice in Sweden" (1998) capture the raw, live energy of the project, while albums such as "Born Again" (2010) reveal a matured and increasingly sophisticated sound that manages to be both intimate and grandiose. Their latest offering, "Ultimacy" (2011), is a collection of singles recorded between 1993 and 2010, showcasing the breadth and evolution of Blood Axis' sonic journey. Despite a limited discography, the influence of Blood Axis on the neofolk and post-industrial genres is undeniable, commanding respect for their artistic vision and unwavering thematic exploration.