Nathan Micay
Nathan Micay is a Canadian electronic producer and composer whose cinematic soundscapes have become synonymous with both club culture and screen storytelling. Based in Berlin but rooted in Toronto's dance music history, he’s crafted a signature style that merges lush, dreamy synth work with propulsive rhythms—a vibe that’s landed him high-profile gigs like scoring HBO’s *Industry* and the documentary *Time Bomb Y2K*. Under his former alias Bwana, he built a cult following for genre-blurring releases, but his recent work (like the *Blue Spring* epilogue and the *To The God Named Dream* series) leans into grander, emotionally charged narratives, often blurring lines between DJ tools and score-ready drama. When he’s not dropping club remixes for peers like Avalon Emerson or crafting adrenaline-packed originals (see: *Fangs*), Micay seems happiest straddling worlds—equally at home on a festival stage, in a studio scoring tense TV boardrooms, or geeking out over collector’s edition vinyl releases.
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