Eberhard Kummer (1939–2019) was an Austrian lawyer-turned-musician with a deep passion for medieval German literature and traditional folk music. Best known for his gripping performances of epic poems like *Das Nibelungenlied* (The Song of the Nibelungs), he brought centuries-old stories to life using historical instruments like the harp and his resonant baritone voice. His work, including albums like *Hugo von Montfort* and *Oswald von Wolkenstein* tracks, revolved around preserving Austria’s musical heritage, often blending scholarly rigor with theatrical flair.
Though he practiced law for decades, Kummer became a cult figure in early music circles for his unorthodox, earthy approach to medieval epics and Viennese folk tunes (*Alt-Wiener Volkslieder*). His recordings felt like time-travel sessions—raw, immersive, and rooted in oral tradition. Whether reciting tirades from *Das Buch von den Wienern* or breathing life into 15th-century ballads, Kummer’s performances were less about perfection and more about keeping ancient stories pulsing in the modern ear. A true bard at heart!
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