Edward Higginbottom is a renowned British choral conductor, organist, and scholar celebrated for his deep expertise in early music and sacred choral works. Best known as the long-time Director of Music at New College, Oxford (1976–2014), he shaped the world-famous Choir of New College into a powerhouse of precision and expressive clarity. His recordings, like the ones listed, showcase his knack for breathing fresh life into Renaissance polyphony, Baroque masterpieces, and lesser-known gems—from Handel’s *Messiah* to Ludford’s intricate Mass settings.
A champion of French Baroque composers like Charpentier and Rameau (hence *Rameau Re-Imagined*), Higginbottom blends academic rigor with vibrant performances. His Mozart recordings, such as *Music for Salzburg Cathedral*, highlight his flair for illuminating liturgical context without sacrificing drama. Beyond conducting, he’s contributed to musicology through teaching and research, cementing his legacy as a bridge between scholarly depth and auditory splendor.
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