**Yotam Haber** is an Israeli-American composer known for his genre-blurring works that weave together Western classical traditions, Jewish liturgical music, and global influences. Born in Israel and raised in the Netherlands before settling in the U.S., Haber’s multicultural upbringing seeps into his compositions, which often explore themes of memory, displacement, and cultural hybridity. He studied at Oberlin Conservatory and the Manhattan School of Music, later honing his craft under mentors like Louis Andriessen and Martin Bresnick. His music ranges from intimate chamber pieces to large-scale orchestral works, often incorporating unexpected textures, fragmented melodies, and visceral emotional arcs.
Recent releases like the haunting *Bloodsnow* and the introspective *Estro Poetico-armonico III: II. I Wanted to Elaborate - Ahot Ktana* showcase his knack for merging poetic depth with structural innovation. Works like *Torus* highlight his fascination with spatial acoustics and collaborative experimentation, often involving ensembles like Alarm Will Sound or The Knights. A Guggenheim Fellow and recipient of commissions from major institutions, Haber’s music feels both timeless and urgently contemporary, bridging ancient traditions with a restless, modern creative spirit.
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