Al Wootton, formerly known by his alias Deadboy, is an enigmatic figure in the electronic music scene whose work bridges the gaps between genres like dub, UK garage, techno, and house. Evolving from his earlier dance-floor oriented rhythms, Wootton's more recent body of work has matured to embody a deeper, more meditative approach to rhythm and sound design. His transition to releasing music under his given name has coincided with a shift towards a more subtle, contemplative, and often dub-inflected electronic music.

Since the name change, Al Wootton has been prolific, crafting a series of releases that draw on the rich heritage of British bass music and soundsystem culture. With titles like "FLAW", "The Bell With The Wooden Tongue", and "We Have Come to Banish The Dark", Wootton's output is characterized by its hypnotic grooves, textured layers, and an inherent spirituality that threads through the beats and basslines. His EPs, such as "Vitus" and "Alandazu", as well as his thoughtfully composed "Forest Trilogy", showcase a producer who is unafraid to explore the depths of sound and rhythm, continually pushing the boundaries of contemporary electronic music. Through his work, Al Wootton is helping to define the cutting edge of underground music, shaping its contours for avid listeners and dance floors around the world.