Carlos Fariñas
Carlos Fariñas (1934–2002) was a prominent Cuban composer and a leading figure in the Cuban avant-garde music scene of the 1960s. Born in Cienfuegos, he began his musical education in his family before studying under notable Cuban masters such as José Ardévol, Harold Gramatges, and Enrique González Mántici. He further enriched his training internationally, attending courses with Aaron Copland at Tanglewood in 1956 and studying at the Moscow Conservatory from 1961 to 1963. Fariñas composed across a wide spectrum, from traditional symphonic works to cutting-edge electroacoustic and computer music. He founded the Electroacoustic and Computer Music Laboratory at Cuba’s Instituto Superior de Arte in 1989, reflecting his innovative spirit. Among his notable works are ballet scores, string quartets, piano pieces, and compositions for guitar, showcasing his versatility and embrace of modern techniques.
Throughout his career, Fariñas also contributed significantly as an educator and music administrator—directing the Conservatorio Alejandro García Caturla, leading the music department at the Biblioteca Nacional de Cuba, and holding a composition chair at the Instituto Superior de Arte. His music often integrated Afro-Cuban influences while exploring avant-garde and electronic elements, marking him as a key figure in Cuban contemporary music.
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