Massimo Moscardo is an accomplished musician specializing in early music, particularly known for his expertise with historical plucked string instruments like the theorbo, tiorbino, and baroque guitar. He has contributed to numerous recordings of Renaissance and Baroque repertoire, collaborating with ensembles such as Le Poème Harmonique. His work often explores intricate and richly textured music from the 16th and 17th centuries, as seen in albums like *Io amai sempre* (Venice circa 1540) and projects featuring composers like Bellerofonte Castaldi.
Moscardo’s playing is recognized for both its historical authenticity and vibrant expressiveness, skillfully bringing to life the emotional nuances of early music. His versatility has also led to collaborations in theatrical and filmed productions related to early music, highlighting his role as both performer and interpreter in the revival of this repertoire.
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