Matthew Newlin
Matthew Newlin is an acclaimed American lyric tenor known for his versatility and expressive stage presence. Since joining the Deutsche Oper Berlin ensemble in 2013, he has tackled a wide range of leading roles including Tamino in *Die Zauberflöte*, Don José in *Carmen*, Alfredo in *La Traviata*, and Count Almaviva in *The Barber of Seville*. His repertoire spans from Baroque to contemporary music, and he has also made notable appearances in concert settings performing works such as Handel's *Solomon* and Beethoven’s *9th Symphony*. Beyond Berlin, Newlin has debuted roles like Tom Rakewell in Stravinsky's *The Rake’s Progress* in Basel and Samson in Handel’s *Samson* in Amsterdam. A winner of several vocal competitions early in his career, Newlin’s engaging musicianship and natural stagecraft continue to win over audiences internationally.
Alongside his operatic work, Matthew Newlin actively performs in concerts and recitals, collaborating with leading orchestras and conductors such as Michael Tilson Thomas. His command over languages and styles allows him to present pieces like Janáček's *The Diary of One Who Disappeared* in both the original Czech and his own English translation. Known for his warm, lyric tenor voice and dynamic interpretations, Newlin remains a significant figure in today’s operatic landscape with a career marked by both artistic breadth and depth.
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