Latin American Baroque

Latin American Baroque is a vibrant and distinctive musical genre that emerged during the colonial period, blending European Baroque styles with indigenous and African influences. Characterized by its rich polyphony, intricate melodies, and diverse instrumentation, the genre often incorporates local rhythms and folk elements, creating a unique soundscape. Composers like Tomás de Torrejón y Velasco and Juan Gutiérrez de Padilla embodied this fusion through works that featured traditional European instruments alongside indigenous percussion and strings. Ensembles such as Conjunto Música Ficta de Buenos Aires continue to revive and perform these intricate compositions, capturing the historical and cultural richness of this era.

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Antonio Durán De La Motta
Antonio de Salazar
Baltasar Martinez Companon
Conjunto Música Ficta de Buenos Aires
Conjunto de Camara de la Ciudad de Mexico
Esteban Ponce de León
Francisco López Capillas
Gaspar Fernandes
Hernando Franco
Ignacio Jerusalem y Stella
Juan Gutiérrez de Padilla
Juan de Araujo
Lucas Ruiz de Ribayaz
Manuel Arenzana
Tomás de Torrejón y Velasco
Lucas Ruiz de Ribayaz
Gaspar Fernandes
Juan Gutiérrez de Padilla
Juan de Araujo
Hernando Franco
Antonio de Salazar
Francisco López Capillas
Baltasar Martinez Companon
Conjunto Música Ficta de Buenos Aires
Tomás de Torrejón y Velasco
Manuel Arenzana
Ignacio Jerusalem y Stella
Esteban Ponce de León
Conjunto de Camara de la Ciudad de Mexico
Antonio Durán De La Motta