Serialism

Serialism is a highly structured method of composition that emerged in the early 20th century, exemplified by its pioneering use in twelve-tone music developed by Arnold Schoenberg. It involves constructing compositions using a series, or "row," of pitches, rhythms, dynamics, or other musical elements in a fixed, pre-determined order, ensuring that no element is repeated until the series is complete. This technique promotes atonality, eschewing traditional harmonic and melodic development. Composers like Anton Webern, Alban Berg, and later, Pierre Boulez, expanded serialism's reach, applying its rigorous principles to multiple parameters of music. The resulting works often possess a cerebral quality, offering intricate textures, and challenging listeners' perceptions of musical coherence and progression. Serialism's influence can be seen in the complex, avant-garde compositions of figures such as Karlheinz Stockhausen and Milton Babbitt.

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André Boucourechliev
Bas Wiegers
Brian Ferneyhough
Camillo Togni
Diego Masson
Dieter Schnebel
Ensemble KNM Berlin
Ernst Krenek
Fartein Valen
Franco Donatoni
Hanns Eisler
Hans Abrahamsen
Hans Werner Henze
Henri Pousseur
Hermann Heiss
Josef Matthias Hauer
Karel Goeyvaerts
Karlheinz Stockhausen
Klaus Huber
Leopold Spinner
Marcus Weiss
Milton Babbitt
Peter Rundel
Philippe Manoury
Pierre Boulez
Roberto Gerhard
Roger Sessions
Stefan Wolpe
The California Parallele Ensemble
Tiberiu Olah
Walter Piston
Pierre Boulez
Karlheinz Stockhausen
Hanns Eisler
Hans Werner Henze
Peter Rundel
Hans Abrahamsen
Marcus Weiss
Ernst Krenek
Brian Ferneyhough
Walter Piston
Stefan Wolpe
Milton Babbitt
Roberto Gerhard
Fartein Valen
Josef Matthias Hauer
The California Parallele Ensemble
Philippe Manoury
Diego Masson
Henri Pousseur
Franco Donatoni
Dieter Schnebel
Klaus Huber
Karel Goeyvaerts
Roger Sessions
Ensemble KNM Berlin
Hermann Heiss
Leopold Spinner
André Boucourechliev
Camillo Togni
Tiberiu Olah
Bas Wiegers