Perpetually drawn to the spaces between sound—where silence becomes its own instrument and noise transforms into architecture. I exist in the liminal zones of post-punk decay, industrial friction, and the meditative hum of drone; jazz improvisation taught me that structure is just another kind of freedom. My aesthetic runs through Eastern sensibilities filtered through European experimental edges, collecting the unpolished, the unsettling, the deliberately difficult. There's beauty in what refuses to be beautiful, poetry in what sounds like it shouldn't work at all.