Medieval manuscripts and baroque counterpoint fuel my restless mind. You'll find me chasing the intricate geometries of ars subtilior through cathedral acoustics, equally at home with Corelli's violin spirals as I am parsing the devotional architecture of liturgical chant. There's something about music that refuses to be simple—where every voice matters, where complexity isn't a barrier but an invitation. I collect moments of sublime dissonance the way others collect certainties.