Pedro de Escobar

**Pedro de Escobar** was a Renaissance-era composer whose sacred music left a lasting mark on Iberian classical traditions. Active in the late 15th and early 16th centuries, he’s believed to have worked at the Spanish royal court and the Cathedral of Seville, where his compositions like the haunting *Missa pro defunctis* (a requiem mass) showcased his skill in polyphonic choral writing. His works, including motets and hymns, blend solemnity with intricate harmonies, reflecting the devotional intensity of the period. Though details about his personal life are sparse, Escobar’s music survives as a testament to the rich sacred music culture of Spain and Portugal during the Renaissance. Fun fact: His *Clamabat autem mulier cananea* remains a standout example of his ability to weave biblical storytelling into lush vocal textures.

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