Ricardo Kanji is a Brazilian-born flautist, recorder virtuoso, and early music specialist celebrated for his dynamic interpretations of Baroque and classical repertoire. With a career spanning decades, he’s become a key figure in historically informed performance, breathing life into works by composers like Telemann, Handel, and lesser-known gems from Brazil’s colonial era. His collaborations with ensembles like the Philidor Ensemble and passionate chamber projects, such as *Não Tem Choro*, showcase his knack for blending precision with playful spontaneity.
A champion of musical storytelling, Kanji has dedicated himself to unearthing Brazil’s rich musical heritage, evident in releases like *História da Música Brasileira - Período Colonial II* and *Neukomm no Brasil*. Whether reviving 18th-century European court music or exploring Latin American folk influences, his recordings—like the lively *Classical Bohemian Concertos for Wind Instruments*—reveal a musician deeply connected to both tradition and innovation. Friendly and approachable in his artistry, Kanji makes centuries-old music feel fresh, proving that historical instruments can still pack a modern punch.
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