Should, a band known for its ethereal presence within the shoegaze and dream-pop realms, has etched a distinctive path in the music scene with a blend of melancholic melodies, gauzy guitars, and introspective lyrics. Emerging in the mid-1990s with their debut, "A Folding Sieve," Should quickly garnered attention for their ability to balance the introspective essence of dream-pop with the noisy undercurrents of shoegaze, crafting sounds that are both introspective and immersive. Members Marc Ostermeier and Tanya Maus, the core duo behind Should, have meticulously crafted a sonic signature that combines gentle vocal harmonies with layered guitar textures, creating atmospheric landscapes that are both serene and sonically rich.

Over the years, Should has released a series of critically acclaimed albums, including "The Great Pretend," "Like a Fire Without Sound," and "Feed Like Fishes," each marking a progression in their sound while maintaining the band's foundational essence. "The Great Pretend" showcases their evolution, offering a more polished and refined approach to their music, with tracks that delve deeper into personal and emotional territories. Through each release, from "Folding Sieve" to "Down a Notch," Should continues to explore and expand the boundaries of their genre, earning them a dedicated fan base and a revered spot among shoegaze and dream-pop aficionados. Their music remains a testament to the enduring power of subtlety and nuance in a world often dominated by the overt and the ostentatious.