**Free Nelson MandoomJazz** was a genre-blurring experimental trio hailing from Scotland, active in the early 2010s. Known for smashing together doom metal's sludgy riffs with the chaotic energy of free jazz, they carved out a niche that felt like a saxophone-wielding beast roaring through a fog of distortion. The band featured Rebecca Sneddon on saxophones, Colin Stewart on bass, and drummer Tom Perrett, creating a sound that was equal parts hypnotic, aggressive, and unpredictably melodic.
Their releases, like *The Shape of Doomjazz to Come / Saxophone Giganticus* (2013) and *Awakening of a Capital* (2014), leaned into apocalyptic vibes and improvisational freakouts, earning them cult status in avant-garde circles. Live shows were visceral experiences, blending jazz spontaneity with metal's raw power. While they disbanded around 2016, their legacy lives on as a bold example of what happens when musicians gleefully ignore genre rulebooks.
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