Jean-Henri d'Anglebert (1629–1691) was a prominent French composer and harpsichordist of the Baroque era, renowned for his profound influence on the French keyboard style. D'Anglebert served as the harpsichord teacher to the daughters of Louis XIV, reflecting his esteemed position within the royal court's musical establishment. He was appointed as harpsichordist to the king in 1662 and later succeeded Chambonnières, another key figure in French keyboard music, as harpsichordist of the royal chamber.
D'Anglebert's legacy is deeply rooted in his exceptional work for harpsichord, which exemplifies the elegance and courtly manners of his time. His music is characterized by its rich ornamentation, inventive use of counterpoint, and flowing, graceful melodies. His surviving oeuvre is largely contained in the 1689 publication "Pièces de clavecin," which is a compendium of his works comprising four suites, a few individual pieces, and four organ fugues. D'Anglebert's transcriptions of works by Jean-Baptiste Lully exemplify his ability to adapt orchestral compositions for the keyboard, displaying his thorough understanding of both the instrument and the French Baroque aesthetic. His "Tombeau de Monsieur Chambonnières" stands as a heartfelt memorial to his predecessor, exhibiting the compositional eloquence and emotional depth of his style. D'Anglebert's music continues to be celebrated for its exquisite craftsmanship and remains a cornerstone of the harpsichord repertoire.
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